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The Picnic Table Workshop

alyshakaplan
Sep 2
2 min read

People occasionally ask where I build my dollhouses. I think they're expecting a dedicated workshop with rows of neatly organized tools, custom workbenches, and shelves lined with projects waiting their turn. The truth is a little less glamorous.


Every summer, my workshop moves outside. It takes over a picnic table on our back porch. The table is large enough to spread out a dollhouse, lay out paint, wallpaper, and trim, and still leave just enough room for a cup of coffee. The light is better than anything I could create indoors, and on most days there's a breeze that makes even the slower parts of restoration feel a little more enjoyable.


By midsummer, the picnic table no longer resembles a picnic table. It becomes a workbench with a view. Paint bottles gather in one corner, tiny pieces of trim seem to multiply overnight, and whatever house I'm restoring quietly takes over the space until it's ready to move on. It's a rhythm I've grown to love.


When the weather turns cold, the workshop moves again. The dining room quietly becomes my workbench. Projects begin occupying one end of the table, and little by little the room fills with paint samples, tiny pieces of trim, and whatever house happens to be telling its story that week. It's not unusual for my husband to find himself eating dinner beside a dollhouse. Fortunately, he's become accustomed to sharing our home with miniature construction.


Looking back, I realize Maple & Moss has never really had a permanent workshop. It has always been willing to adapt. The work simply follows the light, the seasons, and whatever space is available. For a long time, I thought I would eventually need a dedicated studio before I could take this hobby seriously. Now I'm not so sure.


Some of my favorite houses have come to life on that picnic table. Roof shingles have been laid there. Wallpaper has been chosen there. Ideas that eventually became chapters in Carried Forward first took shape there. The space has never limited the work. If anything, it has reminded me that creativity rarely waits for perfect conditions. It simply asks us to begin with what we have.


Someday I may have a dedicated workshop. Perhaps there will be larger benches, better storage, and enough room to leave several projects set up at once. I'm sure I'll appreciate it when that day comes. But I also hope I never forget the little picnic table where so many of these houses first began finding their way home.


Because I've learned that it's never really been about the workshop. It's always been about the work.

 
 
 

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